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Shoreham Harbour

Shoreham Harbour

Mademoiselle Hiligsberg in the Ballet of Le Jaloux Puni

Mademoiselle Hiligsberg in the Ballet of Le Jaloux Puni

San Giacomo Maggiore, Bologna

San Giacomo Maggiore, Bologna

A Woman asleep in a Chair

A Woman asleep in a Chair

Salome with the head of John the Baptist

Salome with the head of John the Baptist

Muirhead Bone at Work

Muirhead Bone at Work

Kimbolton Church, Cambridgeshire

Kimbolton Church, Cambridgeshire

St. Botolph's, Bishopsgate

St. Botolph's, Bishopsgate

Seascape with Three Three-Masted Vessels

Seascape with Three Three-Masted Vessels

Reference 1146 1029 1064 1074 1038 1115 1190 1084 1135
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ARTISTS Philip Wilson Steer O.M, R.A, R.W.S John (Jean) Condé Thomas Heaphy the Elder
(attributed to)
William Henry Hunt O.W.S Joshua Cristall P.O.W.S Sir William Orpen R.A, R.H.A
(attributed to)
Thomas John Coates R.W.S, P.R.B.A, R.P Nathaniel Sparks R.E. Adam Silo
Height 11.5 cm (4.5") 22.5 cm (8.9") 20.5 cm (8.1") 11.5 cm (4.5") 27 cm (10.6") 38 cm (15") 39 cm (15.4") 19 cm (7.5") 13.5 cm (5.3")
Width 17.5 cm (6.9") 18 cm (7.1") 30 cm (11.8") 10 cm (3.9") 32.5 cm (12.8") 28 cm (11") 49 cm (19.3") 32.5 cm (12.8") 19.5 cm (7.7")
Framed height 28 cm (11") 40.5 cm (15.9") 35 cm (13.8") 27.5 cm (10.8") 42.5 cm (16.7") 56.5 cm (22.2") 55 cm (21.7") 40.5 cm (15.9") 23 cm (9.1")
Framed width 31 cm (12.2") 33.5 cm (13.2") 43 cm (16.9") 22.5 cm (8.9") 47.5 cm (18.7") 46 cm (18.1") 65 cm (25.6") 46 cm (18.1") 28 cm (11")
Year 1926 1794 c.1820-30 c.1830 c.1820-30 c.1910-30 1914 c.1700-1740
Medium Watercolour Oval stipple engraving and etching in early oval frame and decorated glass Watercolour Graphite Pen, ink, wash and watercolour Pen, ink and wash Drypoint Monochrome wash drawing
Provenance Probably the artist's studio sale, 17th July 1942, lot 249, bought by Metcalfe. With New Grafton Gallery, E. A. Andrews. Possibly Dame Marie Rambert, John Webley (companion to Marie Rambert) Henry Scipio Reitlinger Collection, possibly his sale Sotheby's 9th December 1953, Private Collection
Condition At some point, the work was tightly mounted, resulting in some fading in the central area.